BerlinBiennale,德国柏林当代艺术双年展，www.berlinbiennale.de文化给予年轻艺术家机会去接触更广阔的观众层面。
柏林双年展举办至今主流的声音认为
在距离柏林市中心亚历山大广场不远的奥古斯特大街上它没有尖顶教堂名叫圣伊莉莎白双年展从4月27日开始教堂内被五颜六色的涂鸦占据教堂中心散放着各色颜料不知哪位慕名前来的中国人也加入了创作队伍
第七届双年展的主题为忘掉恐惧他从全世界7500多位艺术家的作品中挑选出30多位艺术家的电影、纪录片、绘画、装置艺术作品祖米卓斯基意图将艺术与政治结合
祖米卓斯基在德国引起的广泛关注源于他拍摄的一部短片《贝雷》（也叫《标签游戏》）。在这部60分钟的短片中他们需要举着标签这部短片拍摄于1999年
The berlin biennale fr zeitgenssische kunst e.v. was founded on March 26, 1996 by Klaus Biesenbach, founding director of KW Institute for Contemporary Art, and a group of collectors and patrons of the arts such as Eberhard Mayntz. Eberhard Mayntz has since then been chairman of the associations board.
The idea of establishing a biennale in Germany was inspired by the Venice Biennale in 1995. Following the demise of aperto - the forum for young contemporary art founded in 1981 - there was much discussion about the need to heighten the profile of contemporary art in Berlin, a fact which undoubtedly accelerated the projects progress.
The aim of the association is to organise a representative, international exhibition of contemporary art in berlin every two years and to attract attention to less established younger artists. The exhibitions original and most important institutional partner is the KW Institute for Contemporary Art, which regularly provides the Berlin Biennale with the use its exhibition spaces.
In 1998, Klaus Biesenbach took the artistic helm of the 1st Berlin Biennale in cooperation with Nancy Spector and Hans Ulrich Obrist. For the 2nd Berlin Biennale in 2001, the baton was passed to Saskia Bos, who is in turn followed by Ute Meta Bauer for the 2004 exhibition. The 4th Berlin Biennale in 2006 was curated by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick. Adam Szymczyk was chosen for the 5th Berlin Biennale in 2008 who then appointed Elena Filipovic as co-curator. Kathrin Rhomberg curated the 6th Berlin Biennale in 2010. The 7th Berlin Biennale was curated by Artur Zmijewski together with associate curators Voina and Joanna Warsza in 2012.
The Berlin Biennale has established itself as an open space that experiments, identifies and critically examines the latest trends in the art world. The innovative character of this art lab, which tries and tests the greenest shoots in the art world is to be expanded, with the particular aim of giving young artists the opportunity to introduce themselves to broad sections of the public.
Although the exhibition has an essentially public character, it also has an inner forum in which event organisers, artists, curators, selected critics, cooperation partners, sponsors and promotors committed to the advancement of this association work at shaping the exhibition and its seismographic interpretation of current cultural and social developments.德国文化艺术博览会。
